Thank you very much! This method looks not as straightforward as the ordinary Borders but it's better than nothing.
As for the Absolute Intent, in my opinion this is one of the most important things about printing that I've discovered! In the Relevant Intent my images from Canon Pro-100 had always been a bit too dark and dull. In the Absolute Intent they look just geourgeous, almost like on my monitor (it is calibrated of course). Yes, the whites sometimes look not very neutral but one just need to find/create the right icc profile.
Some time ago I also found out that Canon also implies that the Absolute Intent is the best one:
"Absolute RI Algorithm... When used with basic 4-colour printers, this mode has a tendency to produce ‘choppy’ gradations that results in visible banding. However, with 11-ink printers such as the Canon imagePROGRAF PRO-500, the banding effect may not surface due to the printer’s extremely large colour gamut. Depending on the image and printer, photographers may find that the Absolute RI algorithm produces more colour accurate photos.
...
In summary, any photographer looking at producing fine art prints should understand their colour reproduction needs. If colour accuracy is important, it pays to invest in a printer with a very large colour gamut like the Canon imagePROGRAF PRO-500 and print in Absolute rendering mode. If colour accuracy is not the paramount concern, the Perceptual mode, when coupled with a competent photo printer, will produce visually satisfying results".
https://snapshot.canon-asia.com/article/eng/introduction-to-fine-art-printing-part-3-colour-profiles-and-rendering-intents