Holy Crapoli! That thing is a mammoth! Anyone have the Cliff's Notes version?
Having read enough to
think I know the basics... my current thoughts (before looking into it further) are that the other factors of viewing probably have a much greater effect than size-to-contrast. Things like:
(1) They talk a lot about LCD displays in that paper. LCD size, viewer position, and viewing angle are probably a bigger factor since LCD's differ in contrast/color based on viewer location and angle since LCD screens are known to change contrast and color from left to right/top to bottom anyway.
(2) Intended viewing conditions of a print: if a print is displayed on a wall under top/ceiling lighting for example, the fact that the top of the print is closer to the light source than the bottom and the associated higher brightness at the top of the print is probably a much larger factor than viewing distance.
(3) For prints that are not mounted, what do you do? Do you assume everyone will hold a 5x7 print a certain distance from the eyes? An 8x10? 4x6?
(4) For mounted prints, you'd have to even account for the height of the person doing the viewing and force them to stand at a certain distance.
So I think the environment would have to be completely controlled (you'd have to "force" the audience to stand a certain distance from the print) and the lighting would have to be perfect (print lit from top, bottom, and sides evenly) to get this to work properly. If your viewing audience is allows to go up and examine the print or walk back to a longer distance, you may have done more harm than good trying to fool with this.
Mike