Yes that image is the colours I am after.

Jeff

On my monitor, the left side appears warmish (red) while the right side has a cyanish cast (or towards the green too since they are easily confused unless you view them through a "Lee Color Print Viewing Filter" set or the old "Kodak Print Viewing Filter Set" to make the determination.).  A minor change in the QU Color Settings tab makes a big difference too and I work down to the 0.98 level at times to tweak a print.

Northern light window shots causes me headaches as all sorts of colors come in from reflected light.  I see blue sometimes from skylight on an arm or leg more buried in the shadows, and then warm daylight in the most lighted areas, to a color cast off the surrounding frame and paint coloration off the window or room in other shadow areas.

Sometimes the best thing to do is make a copy mask and then grab the paint brush tool, after having a selected color loaded into it that I want, and paint with it at a greatly reduced setting of maybe 5%-15%.  Sometimes I can click on the problem area and mask it and change the Kelvin to get the photo into alignment.

To that end, I made up a large translucent 5x6 foot scrim that I place two high-power 1800 ws studio units behind that drown out any odd color casts when doing northern light stuff.  Might want to bail if it gets too tedious and go to some B&W with maybe a coloration filter you can adjust like in the newer Topaz B&W plugin or similar.


Mack

Hi Jeff,
Have you used these profiles before? Have you tried a "canned" profile for these papers to see if you get the same problem?
From what I see on this forum, one common cause of a colour cast is some blocked nozzles. Fred has already asked about a nozzle check. That should be your first port of call along with checking ALL driver settings.
Terry

I did exactly the same and got the same result.   
No image problem
Fred

Hi Jeff,
Doesn't it tell you when ink is low? Using Epson cartridges I've had the odd occasion when I let it go too far  and changed mid print and finished the print without any problems at all. I don't do that any more, let it go too far that is 
I still think you have a dodgy ink flow 
That's ok as long as you WB when processing the raw. Photograph a grey card in tricky situations, I always carry one, they are inserted in my lens caps - a trick Mike mentioned many moons ago.
I agree, the window frame does have the look of fluorescent light about it but it's quite subtle.
Terry